George RR Martin

The sixth book in the A Song of Ice and Fire series that Game of Thrones is based off of still doesn't have a release date, but you can now get a small taste of what's to come. This chapter isn't exactly new, though. It was done years ago but has never been fully released until now. If you want to read it for yourself, click here. 

Seriously though, how do you write so fast Stephen King? Go to 50:08 for the moment!

Conan O'brien is on a post-Comic Con streak, here. Especially since he was able to gain access to George R. R. Martin's home camera system. 

And lo, we all learn what keeps Mr. Martin busy while his characters remain in some sort of literary limbo.

WARNING: SPOILERS AHEAD!

A new sample chapter for the next novel in the Game of Thrones series has been released, and it's from the perspective of Alayne.  In the books, we last left Alayne plotting to retake Winterfell with Petyr Baelish.  He intends to marry Alayne off to the next heir of the Eyrie, Harrold Hardyng, before revealing her true identity and retaking her birthright.  The chapter GRRM has released picks up with Harrold (Harry) arriving for a tournament designed to appoint a kingsguard for Lord Robert.

Here are the first few lines:

    She was reading her little lord a tale of the Winged Knight when Mya Stone came knocking on the door of his bedchamber, clad in boots and riding leathers and smelling strongly of the stable. Mya had straw in her hair and a scowl on her face. That scowl comes of having Mychel Redfort near, Alayne knew.

   “Your lordship,” Mya informed Lord Robert, “Lady Waynwood’s banners have been seen an hour down the road. She will be here soon, with your cousin Harry. Will you want to greet them?”

    Why did she have to mention Harry? Alayne thought. We will never get Sweetrobin out of bed now. The boy slapped a pillow. “Send them away. I never asked them here.”

    Mya looked nonplussed. No one in the Vale was better at handling a mule, but lordlings were another matter. “They were invited,” she said uncertainly, “for the tourney. I don’t… “

    Alayne closed her book.  “Thank you, Mya. Let me talk with Lord Robert, if you would.” Relief plain on her face, Mya fled without another word.

    “I hate that Harry,” Sweetrobin said when she was gone. “He calls me cousin, but he’s just waiting for me to die so he can take the Eyrie. He thinks I don’t know, but I do.

George RR Martin announced that he won't be attending San Diego Comic Con this year (as well as World Fantasy Con) because he's staying home to focus on writing Winds of Winter.  Hear that?  That's the sound of the bevy of "why isn't he writing?!" complaints you were going to hear during con season getting quashed in the background.  GRRM did add however, that if he finishes the novel before the con (ha!) he reserves the right to change his mind and attend afterall.

Entertainment Weekly spoke to Game of Thrones author George R. R. Martin about why all the women in his books and the television show seem to suffer so much violence. It certainly has led to raised tempers over this season's treatment of Sansa Stark.

His comments below probably won't soothe any sore feelings...

The books reflect a patriarchal society based on the Middle Ages. The Middle Ages were not a time of sexual egalitarianism. It was very classist, dividing people into three classes. And they had strong ideas about the roles of women. One of the charges against Joan of Arc that got her burned at the stake was that she wore men's clothing—that was not a small thing. There were, of course, some strong and competent women. It still doesn't change the nature of the society. And if you look at the books, my heroes and viewpoint characters are all misfits. They're outliers. They don't fit the roles society has for them. They're 'cripples, bastards, and broken things'—a dwarf, a fat guy who can't fight, a bastard, and women who don't fit comfortably into the roles society has for them (though there are also those who do—like Sansa and Catelyn).

"Now there are people who will say to that, 'Well, he's not writing history, he's writing fantasy—he put in dragons, he should have made an egalitarian society.' Just because you put in dragons doesn't mean you can put in anything you want. If pigs could fly, then that's your book. But that doesn't mean you also want people walking on their hands instead of their feet. If you're going to do [a fantasy element], it's best to only do one of them, or a few. I wanted my books to be strongly grounded in history and to show what medieval society was like, and I was also reacting to a lot of fantasy fiction. Most stories depict what I call the 'Disneyland Middle Ages'—there are princes and princesses and knights in shining armor, but they didn't want to show what those societies meant and how they functioned...

I'm writing about war, which what almost all epic fantasy is about. But if you're going to write about war, and you just want to include all the cool battles and heroes killing a lot of orcs and things like that and you don't portray [sexual violence], then there's something fundamentally dishonest about that. **, unfortunately, is still a part of war today. It's not a strong testament to the human race, but I don't think we should pretend it doesn't exist.

There. Feel better?

Beware: Contains Game of Thrones season 4 spoilers.